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The objects kept in a fashion archive are many and varied: from clothes to accessories, from textile designs to glossy prints, from photographs to colour folders.
For this reason, the conservation materials require specific rules and indications to be restored, preserved and displayed in order to prolong their life, The European Union has a duty to ensure that the Community’s efforts are not only directed towards the development of the Mediterranean region, but also towards the promotion of its cultural heritage.
Corporate memory (heritage) is a tool that fashion brands use more and more to position themselves in the eyes of the public. The historical archive, if well managed and preserved, can be the basis from which to plan and organize events and new exhibitions.
These are the topics of the third appointment of F.FRI’s Fashion Archives course, which will allow students to familiarize themselves with the daily needs and practices of strategic that characterize the activity of a historical archive of luxury and cultural institutions that have dissemination and conservation purposes.
THE EXPLOITATION AND EXHIBITION
with Cristina Maria Da Roit, Curator Archive Fortuny Museum. And with Cristina Merelli, restorer-conservator of works of art on paper, book material and photography. Collaborates with the STIBBERT Museum in Florence.
Based on examples and case studies of two leading professionals in the field, the day will be entirely devoted to checking daily needs, operational practices and strategic planning for the preservation of textile and fashion product archives.
CONSERVATION AND RESTORATION OF TEXTILE AND PAPER MATERIALS
with Elisa Zonta, Textile Restorer and Conservator of the Germana Marucelli Archive and the Prato Fabric Museum. And with Cristina Merelli, Paper Restorer at the Stibbert Museum
An archive of fashion by its nature preserves mainly paper and textile objects.
For this reason, with the help of a pair conservators and restorers specialized respectively in the restoration of paper and textile finds, The students will be able to acquire the basics of restoration and make them practical and concrete indications for preserving an archive object.
GUIDED TOUR Villa Foscarini Rossi, Stra (VE)
Within the prestigious setting of Villa Foscarini Rossi di Stra we could observe, through the visit to the Museum of Footwear, the stylistic and process transformations that have taken place in this sector, and to know the designers and brands that have collaborated with Rossi Moda during its corporate history.
Logistics at the expense of the student.
THE EXPLOITATION AND EXHIBITION
with Cristina Maria Da Roit, Curator Archive Fortuny Museum. And with Cristina Merelli, restorer-conservator of works of art on paper, book material and photography. Collaborates with the STIBBERT Museum in Florence.
Based on examples and case studies of two leading professionals in the field, the day will be entirely devoted to checking daily needs, operational practices and strategic planning for the preservation of textile and fashion product archives.
CONSERVATION AND RESTORATION OF TEXTILE AND PAPER MATERIALS
with Elisa Zonta, Textile Restorer and Conservator of the Germana Marucelli Archive and the Prato Fabric Museum. And with Cristina Merelli, Paper Restorer at the Stibbert Museum
An archive of fashion by its nature preserves mainly paper and textile objects.
For this reason, with the help of a pair conservators and restorers specialized respectively in the restoration of paper and textile finds, The students will be able to acquire the basics of restoration and make them practical and concrete indications for preserving an archive object.
GUIDED TOUR Villa Foscarini Rossi, Stra (VE)
Within the prestigious setting of Villa Foscarini Rossi di Stra we could observe, through the visit to the Museum of Footwear, the stylistic and process transformations that have taken place in this sector, and to know the designers and brands that have collaborated with Rossi Moda during its corporate history.
Logistics at the expense of the student.
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